Water is Life. Image was screen printed at the Oceti Sakowin camp at Standing Rock in the Summer and Fall of 2016 as patches for the water protectors. The image is based on an original photograph by Ossie Michelin of Amanda Polchies – a Mi’kmaq land and water defender peacefully standing up to the shale gas company SWN and the Royal Canadian Mounted Police near the Elsipogtog First Nation in New Brunswick, Canada in 2013.
2024
Protest, Shut It Down. Design based on photo by Michael Reynolds of the Women's March in DC, January 21, 2017.
This print is a re-working of a 1937 WPA/Federal Art Project poster design by Carken - full name unknown - with text that read, “Visit Brookside Zoo." Re-worked Image was designed for the 2010 show "Printervention: Printing for the Public" at the Chicago Tourism Center Gallery.
Image used as a poster for the December 12, 2015 demos in Paris during the COP 21 UN Climate Conference. Image is a re-adapted image of the Paris 68 graphic "Spirits are high for a protracted struggle.”
Print was part of the Migration Now print portfolio organized by Culture Strike and Justseeds.
Stencil portrait of Emma Gonzalez based on photo by Nicole Raucheisen.
Adaptation of a Howard Zinn quote. Designed for an Amplifier Foundation campaign, 2019
Portfolio project by Justseeds in collaboration with the Poor People's Campaign. Background image is a halftone image of a photograph by Jill Freedmanof the 1968 camp in DC.
2022
Print celebrating the UTLA teachers strike in Los Angeles in January 2019. Based on a photo by Joe Brusky.
Image based on photos by Joe Brusky. Image is a collage of Milwaukee and Racine-based activists Fernanda Elena Jimenez of YES (Youth Empowered in the Struggle) / Voces de la Frontera, Nate Hamilton of the Coalition for Justice, and Janan Najeeb of the Milwaukee Muslim Women's Coalition.
Stencil image based on a photo by Tina Modotti
image based on a photo by Joe Brusky of South Division High School Youth Empowered in the Struggle (YES) student Cristal Rodriguez at a YES/Voces demonstration in Milwaukee the day the Sanctuary District resolution was passed for MPS (Milwaukee Public Schools)
Re-adapted image from a 1936-37 WPA poster by Robert Lachenmann, Philadelphia, PA.
Designed for the 2012 Voces de la Frontera GOTV campaign.
Image based on a photo by the artist of a Voces de la Frontera march in Racine, WI in 2017. Designed for an Amplifier Foundation campaign, 2019
Noel Douglas (UK), Gilbert Kills Pretty Enemy III (Hunkpapa Lakota des Standing Rock Sioux Tribe (US), Nicolas Lampert (US), Oliver Ressler (AT), Seday (FR),
IN DER KUBATUR DES KABINETTS - der Kunstsalon zeigt,
https://www.fluc.at/programm/2022/04/06_IN-DER-KUBATUR-DES-KABINETTS-der-Kunstsalon-zeigt.html
Beans and Barley, Milwaukee, WI, 2024
Beans and Barley, Milwaukee, WI, 2024
ReciproCity: mobile farmstand/screenprinting unit. Concordia Gardens, Milwaukee - in collaboration with Victory Garden Initiative. Project by Mike Carriere, Nicolas Lampert, and Paul Kjelland. Architect: Susan Sloan. Carpentry: Jason Le Perriere and Steve Woods. Funded by the Wormfarm Institute. Thursday afternoon farmers market lead screenprinter: Naomi Scheel.
ReciproCity: mobile farmstand/screenprinting unit. Concordia Gardens, Milwaukee - in collaboration with Victory Garden Initiative. Project by Mike Carriere, Nicolas Lampert, and Paul Kjelland. Architect: Susan Sloan. Carpentry: Jason Le Perriere and Steve Woods. Funded by the Wormfarm Institute. Thursday afternoon farmers market lead screenprinter: Naomi Scheel.
ReciproCity: mobile farmstand/screenprinting unit. Concordia Gardens, Milwaukee - in collaboration with Victory Garden Initiative. Project by Mike Carriere, Nicolas Lampert, and Paul Kjelland. Architect: Susan Sloan. Carpentry: Jason Le Perriere and Steve Woods. Funded by the Wormfarm Institute. Thursday afternoon farmers market lead screenprinter: Naomi Scheel.
ReciproCity is collectively run by Mike Carriere, Fidel Verdin, Nicolas Lampert, and Paul Kjelland.
In 2015 – after three years of meetings with the community and city officials – ReciproCity helped turn two vacant lots into a new community park on MLK Drive in the Harambee neighborhood of Milwaukee (on the corner of N. Martin Luther King Dr. and Ring St.) This project is in direct collaboration with HeartLove Place that is directly across the street from the park. HeartLove Place is a long standing bedrock institution for the neighborhood providing family resources, a child development center, and a culinary training program, among other services.
The park – now named Peace Place – included landscaping and pathways by Blue Skies Landscaping (Walnut Way Conservation Corp), the planting of twenty fruit trees, and two large-scale murals painted by Lampert and Kjelland that honors the history of the Commandos who were formed in October 1966 as part of the NAACP Youth Council. The Commandos role in the 1960s was to nurture black leadership and to protect Civil Rights workers from racist white mobs and police brutality as they marched across the 16th Street Viaduct (dubbed the “Mason-Dixon line”) and into Milwaukee’s nearly all-white south side neighborhoods. During this period the Commandos helped lead two hundred consecutive nights of marching for local and national fair housing legislation. These acts of civil disobedience and nonviolent direct action finally forced the Common Council to approve the Fair Housing Law in 1968, six years after it was first proposed.
In 2016 garden beds and benches were installed.
in 2021 the hosts of the park decided that the mural spaces should go to local artists in the immediate community.
ReciproCity is collectively run by Mike Carriere, Fidel Verdin, Nicolas Lampert, and Paul Kjelland.
In 2015 – after three years of meetings with the community and city officials – ReciproCity helped turn two vacant lots into a new community park on MLK Drive in the Harambee neighborhood of Milwaukee (on the corner of N. Martin Luther King Dr. and Ring St.) This project is in direct collaboration with HeartLove Place that is directly across the street from the park. HeartLove Place is a long standing bedrock institution for the neighborhood providing family resources, a child development center, and a culinary training program, among other services.The park – now named Peace Place – included landscaping and pathways by Blue Skies Landscaping (Walnut Way Conservation Corp), the planting of twenty fruit trees, and two large-scale murals painted by Lampert and Kjelland that honors the history of the Commandos who were formed in October 1966 as part of the NAACP Youth Council. The Commandos role in the 1960s was to nurture black leadership and to protect Civil Rights workers from racist white mobs and police brutality as they marched across the 16th Street Viaduct (dubbed the “Mason-Dixon line”) and into Milwaukee’s nearly all-white south side neighborhoods. During this period the Commandos helped lead two hundred consecutive nights of marching for local and national fair housing legislation. These acts of civil disobedience and nonviolent direct action finally forced the Common Council to approve the Fair Housing Law in 1968, six years after it was first proposed.In 2016 garden beds and benches were installed.
in 2021 the hosts of the park decided that the mural spaces should go to local artists in the immediate community.
ReciproCity is collectively run by Mike Carriere, Fidel Verdin, Nicolas Lampert, and Paul Kjelland.
In 2015 – after three years of meetings with the community and city officials – ReciproCity helped turn two vacant lots into a new community park on MLK Drive in the Harambee neighborhood of Milwaukee (on the corner of N. Martin Luther King Dr. and Ring St.) This project is in direct collaboration with HeartLove Place that is directly across the street from the park. HeartLove Place is a long standing bedrock institution for the neighborhood providing family resources, a child development center, and a culinary training program, among other services.The park – now named Peace Place – included landscaping and pathways by Blue Skies Landscaping (Walnut Way Conservation Corp), the planting of twenty fruit trees, and two large-scale murals painted by Lampert and Kjelland that honors the history of the Commandos who were formed in October 1966 as part of the NAACP Youth Council. The Commandos role in the 1960s was to nurture black leadership and to protect Civil Rights workers from racist white mobs and police brutality as they marched across the 16th Street Viaduct (dubbed the “Mason-Dixon line”) and into Milwaukee’s nearly all-white south side neighborhoods. During this period the Commandos helped lead two hundred consecutive nights of marching for local and national fair housing legislation. These acts of civil disobedience and nonviolent direct action finally forced the Common Council to approve the Fair Housing Law in 1968, six years after it was first proposed.
In 2016 garden beds and benches were installed.
in 2021 the hosts of the park decided that the mural spaces should go to local artists in the immediate community.
One day action involved building 20 garden beds on rooftop garden at the CYD (Career Youth Development), Milwaukee during the Riverwest 24 bike race. Project by Mike Carriere, Nicolas Lampert, and Paul Kjelland in collaboration with CYD.
One day action involved building 20 garden beds on rooftop garden at the CYD (Career Youth Development), Milwaukee during the Riverwest 24 bike race. Project by Mike Carriere, Nicolas Lampert, and Paul Kjelland in collaboration with CYD.
Project in collaboration with the Milwaukee Public Library, Engberg Anderson architecture firm, and the North Milwaukee community via extensive listening sessions. Visit the Villard Library: 5190 N 35th St, Milwaukee, WI 53209
Project in collaboration with the Milwaukee Public Library, Engberg Anderson architecture firm, and the North Milwaukee community via extensive listening sessions. Visit the Villard Library: 5190 N 35th St, Milwaukee, WI 53209
Project in collaboration with the Milwaukee Public Library, Engberg Anderson architecture firm, and the North Milwaukee community via extensive listening sessions. Visit the Villard Library: 5190 N 35th St, Milwaukee, WI 53209
Project in collaboration with the Milwaukee Public Library, Engberg Anderson architecture firm, and the North Milwaukee community via extensive listening sessions. Visit the Villard Library: 5190 N 35th St, Milwaukee, WI 53209
Project in collaboration with the Milwaukee Public Library, Engberg Anderson architecture firm, and the North Milwaukee community via extensive listening sessions. Visit the Villard Library: 5190 N 35th St, Milwaukee, WI 53209
VDLA GOTV street painting, October 19, 2024. Dusan Harminc video: https://vimeo.com/1022720325/d6dc5ff957?share=copy
Second version: https://vimeo.com/1022720081/c2dfdf1a0e?share=copy
VDLA GOTV street painting, October 19, 2024. Dusan Harminc video: https://vimeo.com/1022720325/d6dc5ff957?share=copy
Second version: https://vimeo.com/1022720081/c2dfdf1a0e?share=copy
VDLA GOTV street painting, October 19, 2024. Dusan Harminc video: https://vimeo.com/1022720325/d6dc5ff957?share=copy
Second version: https://vimeo.com/1022720081/c2dfdf1a0e?share=copy
VDLA GOTV street painting, October 19, 2024. Dusan Harminc video: https://vimeo.com/1022720325/d6dc5ff957?share=copy
Second version: https://vimeo.com/1022720081/c2dfdf1a0e?share=copy
GOTV offset, Voces de la Frontera, September 2024 (The Bindery)
GOTV offset, Voces de la Frontera, September 2024
GOTV offset, Voces de la Frontera and Souls to the Polls, July 2024
GOTV offset, Voces de la Frontera, July 2024
Art Build Workers, NEA RA, Philadelphia, July 2024. Join Now posters: https://www.nea.org/resource-library/nea-union-bulletin
Art Build Workers, NEA RA, Philadelphia, July 2024
Art Build Workers, NEA RA, Philadelphia, July 2024
UWM encampment. Photograph by Nicolas Lampert. April, 2024
UWM encampment. Photograph by Nicolas Lampert. April, 2024
UWM encampment. Patch design by Nicolas Lampert. April, 2024
Voces de la Frontera. May Day march 2024. Photo by Joe Brusky.
Voces de la Frontera. May Day march 2024. Parachute design by John Fleissner. Photo by Joe Brusky.
Voces de la Frontera. Art Build for May Day. April, 2024
Voces de la Frontera. Art Build for May Day. April, 2024
Saint Paul Federation of Teachers. Art Build. March 2024.
Saint Paul Federation of Teachers. Art Build. March 2024
Portland Association of Teachers (PAT) strike. October, 2023 Photo by Joe Brusky.
Portland Association of Teachers (PAT)
Art Build Workers. Portland Association of Teachers (PAT) art build. September, 2023.
Art Build Workers. Portland Association of Teachers (PAT) art build. September, 2023. Photo by Joe Brusky.
Art Build Workers. NEA RA Conference. Orlando, Florida. July, 2023. Parachute design art: John Fleishnner. Parachute design: Nicolas Lampert. Photo by Joe Brusky.
Art Build Workers. NEA RA Conference. Orlando, Florida. July, 2023. Photo by Joe Brusky.
Art Build Workers. NEA RA Conference. Orlando, Florida. July, 2023. Photo backdrop designed by the Art Build Workers. Photo by Joe Brusky.
VDLA. Claudio Martinez and Nicolas Lampert screenprinted the event poster for the Momento Conference at UW Madison. May, 2023
VDLA. May Day art build for the Voces May Day march. Nicolas Lampert with Voces Graphic Designer Harold Messa. April 2023.
VDLA. May Day art build for the Voces May Day march. Nicolas Lampert and Claudio Martinez co-designed this picket sign. April, 2023
MTEA art build at South Division High School in Milwaukee. Campaign demanding that Gov. Evers and the Republican-controlled State Legislature spend the 7.1 billion surplus budget on public education. Fernanda Elena Jimenez is holding the fill-in sign that I designed for MTEA. Photo by Joe Brusky.
MTEA art build at South Division High School in Milwaukee. Campaign demanding that Gov. Evers and the Republican-controlled State Legislature spend the 7.1 billion surplus budget on public education. Photo by Joe Brusky.
Voces de la Frontera. Banner drop infront of the Mitchell Street Voces Office for a GOTV effort for the midterm elections. October 2022. Voces Executive Director Christine Neumann-Ortiz speaking to the crowd.
Voces de la Frontera. July, 2022. Action protesting 287G by blocking the entrance of the home of United States Secretary of Homeland Security Alejandro Mayorkas.
Voces de la Frontera. July, 2022. Action protesting 287G by blocking the entrance of the home of United States Secretary of Homeland Security Alejandro Mayorkas.
Voces de la Frontera. May Day, 2022. Photo by Claudio Martinez.
Voces de la Frontera. May Day, 2022. Photo by Joe Brusky.
Art Build Workers art build with three NEA local unions in the Seattle/Tacoma region (Federal Way, Highline, Seattle) prior to their strike. April 2022.
Art Build Workers art build with three NEA local unions in the Seattle/Tacoma region (Federal Way, Highline, Seattle) prior to their strike. April 2022. Banner design: Nicolas Lampert.
Art Build Workers art build with three NEA local unions in the Seattle/Tacoma region (Federal Way, Highline, Seattle) prior to their strike. April 2022.
Minneapolis / Saint Paul teacher's strike. February, 2022. Art Build Workers helped with the banners and picket signs.
Minneapolis / Saint Paul teacher's strike. February, 2022. Art Build Workers helped with the banners and picket signs.
Minneapolis / Saint Paul teacher's strike. February, 2022. Art Build Workers helped with the banners and picket signs.
Minneapolis / Saint Paul teacher's strike. February, 2022. Art Build Workers helped with the banners and picket signs.
Minneapolis / Saint Paul teacher's strike. February, 2022. Art Build Workers helped with the banners and picket signs.
Minneapolis / Saint Paul teacher's strike. February, 2022. Art Build Workers helped with the banners and picket signs. Sidenote: any strike that leads a march with a red truck is going to win!
Art in action for the NEA state-wide campaign for the New Mexico teachers. January, 2022.
Art in action for the NEA state-wide campaign for the New Mexico teachers. January, 2022. NEA President Becky Pringle speaking at a rally. Banner image by Favianna Rodriguez. Banner design by Nicolas Lampert.
Art build with NEA Santa Fe and Art Build Workers for a state-wide campaign for the New Mexico teachers. January, 2022. Picket sign image by David Sloan.
Voces de la Frontera. October 2021 action on Wisconsin Ave in front of Senator Tammy Baldwin's Milwaukee office.
Voces de la Frontera. October 2021 action on Wisconsin Ave in front of Senator Tammy Baldwin's Milwaukee office.
Voces de la Frontera. Milwaukee march. October, 2021. Photo by Joe Brusky.
Voces de la Frontera. Milwaukee march. October, 2021. Photo by Joe Brusky.
Voces de la Frontera. Washington DC march. September, 2021. Parachute banner design: Claudio Martinez.
Voces de la Frontera. Washington DC march. September, 2021. Photo by Joe Brusky.
Voces de la Frontera. 10-day march from Milwaukee to the State Capital Building in Madison. June, 2021. Photo by Joe Brusky.
Voces de la Frontera. 10-day march from Milwaukee to the State Capital Building in Madison. June, 2021.
Voces marched for 10 days from Milwaukee to the State Capital Building in Madison in June of 2021 to push the democrats for citizenship. I screenprinted a series of nylon flags that were attached to PVC poles so that the flags would be light to carry during the march.
Voces de la Frontera. May Day 2021. Banner design by Nicolas Lampert
Voces de la Frontera May Day art build. April, 2021. One aspect of the art build was painting this banner for all of the chapters of Voces across the state of Wisconsin. The image was designed by Jeanette Arellano. The banner design was by Nicolas Lampert. Photo by Joe Brusky.
Voces de la Frontera May Day art build. April, 2021. One aspect of the art build was painting this banner for all of the chapters of Voces across the state of Wisconsin. The image was designed by Jeanette Arellano. The banner design was by Nicolas Lampert.
Voces de la Frontera May Day art build. April, 2021. One aspect of the art build was painting this 24 ft wide parachute banner that was designed by Claudio Martinez.
The Fair Immigration Reform Movement (FIRM) reached out to VDLA in March of 2021 to paint a series of banners to send to 30-plus immigrant rights organizations for a coordinated action. FIRM s a grassroots movement that supports comprehensive immigration reform and the civil rights of immigrants in the United States. It was started in 2004 by the Community Change, formerly The Center for Community Change.
The Fair Immigration Reform Movement (FIRM) reached out to VDLA in March of 2021 to paint a series of banners to send to 30-plus immigrant rights organizations for a coordinated action. FIRM s a grassroots movement that supports comprehensive immigration reform and the civil rights of immigrants in the United States. It was started in 2004 by the Community Change, formerly The Center for Community Change.
The Fair Immigration Reform Movement (FIRM) reached out to VDLA in March of 2021 to paint a series of banners to send to 30-plus immigrant rights organizations for a coordinated action. FIRM s a grassroots movement that supports comprehensive immigration reform and the civil rights of immigrants in the United States. It was started in 2004 by the Community Change, formerly The Center for Community Change.
The Not Another Foot Campaign (who organized a campaign against the continuation of the building of the border wall) asked VDLA (via Gan Golan and Raquel de Anda) in 2021 to paint ten large-scale banners and mail them to cities in Texas, New Mexico, Arizona, and California who were staging actions.
The Not Another Foot Campaign (who organized a campaign against the continuation of the building of the border wall) asked VDLA (via Gan Golan and Raquel de Anda) in 2021 to paint ten large-scale banners and mail them to cities in Texas, New Mexico, Arizona, and California who were staging actions.
Prophetic words.
Voces de los Artistas (the art affinity group with Voces de la Frontera) painted on October 10, 2020 a 275′ x 26′ street mural with text that read VOTING IS POWER: BLACK AND BROWN LIVES MATTER in bright yellow paint on Historic Mitchell Street in the heart of the Latino community in Milwaukee. VDLA also painted ten GOTV banners and screen printed t-shirts and prints that were given away though out the day. Photo by Raymond Moore Jr. Justseeds blog post is here. Plus videos by Stumptown Media and Joe Brusky here.
Voces de los Artistas (the art affinity group with Voces de la Frontera) painted on October 10, 2020 a 275′ x 26′ street mural with text that read VOTING IS POWER: BLACK AND BROWN LIVES MATTER in bright yellow paint on Historic Mitchell Street in the heart of the Latino community in Milwaukee. VDLA also painted ten GOTV banners and screen printed t-shirts and prints that were given away though out the day. Photo by Joe Brusky. Justseeds blog post is here. Plus videos by Stumptown Media and Joe Brusky here.
Voces de los Artistas (the art affinity group with Voces de la Frontera) painted on October 10, 2020 a 275′ x 26′ street mural with text that read VOTING IS POWER: BLACK AND BROWN LIVES MATTER in bright yellow paint on Historic Mitchell Street in the heart of the Latino community in Milwaukee. VDLA also painted ten GOTV banners and screen printed t-shirts and prints that were given away though out the day. Photo by Joe Brusky. Justseeds blog post is here. Plus videos by Stumptown Media and Joe Brusky here.
Voces de los Artistas (the art affinity group with Voces de la Frontera) painted on October 10, 2020 a 275′ x 26′ street mural with text that read VOTING IS POWER: BLACK AND BROWN LIVES MATTER in bright yellow paint on Historic Mitchell Street in the heart of the Latino community in Milwaukee. VDLA also painted ten GOTV banners and screen printed t-shirts and prints that were given away though out the day. Justseeds blog post is here. Plus videos by Stumptown Media and Joe Brusky here.
Voces de los Artistas (VDLA) – an art affinity group with Voces de la Frontera – organized a wheatpasting action to put up 1,500 copies of the poster VOTE NOV 3rd / BLACK AND BROWN LIVES MATTER across Milwaukee prior to the Nov election. The poster was designed by Jeanette Arellano with additional graphic design by Claudio Martinez. Justseeds blog post on the action is here. More photos by Joe Brusky here.
The Art Build Workers collaborated with the Fight for 15 movement and SEIU to create picket signs, banners, and BLM face masks for a march led by McDonald’s workers demanding safer working conditions, hazard pay, $15 an hour, and the right to form a union. Photos by Joe Brusky. Full photo album by Joe Brusky is here.
The Art Build Workers collaborated with the Fight for 15 movement and SEIU to create picket signs, banners, and BLM face masks for a march led by McDonald’s workers demanding safer working conditions, hazard pay, sick leave, $15 an hour, and the right to form a union. Photos by Joe Brusky. More photos by Joe Brusky here.
The Art Build Workers collaborated with the Fight for 15 movement and SEIU to create picket signs, banners, and BLM face masks for a march led by McDonald’s workers demanding safer working conditions, hazard pay, sick leave, $15 an hour, and the right to form a union. Photos by Joe Brusky. More photos by Joe Brusky here.
The Art Build Workers collaborated with the Fight for 15 movement and SEIU to create picket signs, banners, and BLM face masks for a march led by McDonald’s workers demanding safer working conditions, hazard pay, sick leave, $15 an hour, and the right to form a union. Photos by Joe Brusky. More photos by Joe Brusky here.
Covid-safe demo using cut-out silhouettes outside the main entrance at the McDonalds headquarters in downtown Chicago on May 20th during their annual shareholders meeting. Designed by the Art Build Workers for the Fight for 15 movement and SEIU. Photo by Joe Brusky. Blog post on the making of the silhouettes and the demo here.
Covid-safe demo using cut-out silhouettes outside the main entrance at the McDonalds headquarters in downtown Chicago on May 20th during their annual shareholders meeting. Designed by the Art Build Workers for the Fight for 15 movement and SEIU. Photo by Joe Brusky. Blog post on the making of the silhouettes and the demo here.
Covid-safe demo using cut-out silhouettes outside the main entrance at the McDonalds headquarters in downtown Chicago on May 20th during their annual shareholders meeting. Designed by the Art Build Workers for the Fight for 15 movement and SEIU. Photo by Joe Brusky. Blog post on the making of the silhouettes and the demo here.
Covid-safe demo using cut-out silhouettes outside the main entrance at the McDonalds headquarters in downtown Chicago on May 20th during their annual shareholders meeting. Designed by the Art Build Workers for the Fight for 15 movement and SEIU. Photo by Joe Brusky. Blog post on the making of the silhouettes and the demo here.
Photos by Joe Brusky. Long-form post about how the banners, picket signs, and parachutes were used in the CTU-SEIU 73 teachers strike can be found here.
Photos by Joe Brusky. Long-form post about how the banners, picket signs, and parachutes were used in the CTU-SEIU 73 teachers strike can be found here.
Photos by Joe Brusky. Long-form post about how the banners, picket signs, and parachutes were used in the CTU-SEIU 73 teachers strike can be found here.
Photos by Joe Brusky. Long-form post about how the banners, picket signs, and parachutes were used in the CTU-SEIU 73 teachers strike can be found here.
A recap of an epic art build (the first build as Art Build Workers) at the NEA conference in Houston with 7,000 amazing teachers and union organizers can be found here. Photos by Joe Brusky.
A recap of an epic art build (the first build as Art Build Workers) at the NEA conference in Houston with 7,000 amazing teachers and union organizers can be found here. Photos by Joe Brusky.
A recap of an epic art build (the first build as Art Build Workers) at the NEA conference in Houston with 7,000 amazing teachers and union organizers can be found here. Photos by Joe Brusky.
A recap of an epic art build (the first build as Art Build Workers) at the NEA conference in Houston with 7,000 amazing teachers and union organizers can be found here. Photos by Joe Brusky.
A recap of an epic art build (the first build as Art Build Workers) at the NEA conference in Houston with 7,000 amazing teachers and union organizers can be found here. Photos by Joe Brusky.
photo by Nicolas Lampert
photo by Nicolas Lampert
photo by Nicolas Lampert
art build photos by Joe Brusky
art build photos by Joe Brusky
Photo by Joe Brusky. Three-day art build with the awesome teachers, students, and parents from Prince George County in Maryland. The recap can be found here.
Three-day art build with the awesome teachers, students, and parents from Prince George County in Maryland. The recap can be found here.
Strike-ready art for the Oakland Education Association. Three-day art build with the all-star art team. Photos by Joe Brusky. Details about the art build here. Plus a video by Joe Brusky here.
Strike-ready art for the Oakland Education Association. Three-day art build with the all-star art team. Photos by Joe Brusky. Details about the art build here. Plus a video by Joe Brusky here.
(Parachute design by Favianna Rodriguez) Strike-ready art for the Oakland Education Association. Three-day art build with the all-star art team. Photos by Joe Brusky. Details about the art build here. Plus a video by Joe Brusky here.
(Parachute design by Claudio Martinez) Strike-ready art for the Oakland Education Association. Three-day art build with the all-star art team. Photos by Joe Brusky. Details about the art build here. Plus a video by Joe Brusky here.
(Patch design by Favianna Rodriguez) Strike-ready art for the Oakland Education Association. Three-day art build with the all-star art team. Photos by Joe Brusky. Details about the art build here. Plus a video by Joe Brusky here.
Keith Brown, Jesus Barraza, and Melanie Cervantez. Strike-ready art for the Oakland Education Association. Three-day art build with the all-star art team. Photos by Joe Brusky. Details about the art build here. Plus a video by Joe Brusky here.
Strike-ready art for Los Angeles teachers. There is power in a union. 3-day art build: 1,600 screen printed picket signs, 1,000 posters screened, 1,000 patches screened, 30 plus banners painted, 8 parachute banners painted, and thousands of offset posters printed and disseminate to a labor movement that won a historic victory during their January 2019 strike. Photos by Joe Brusky. Blog post with three videos by Joe Brusky here.
Strike-ready art for Los Angeles teachers. There is power in a union. 3-day art build: 1,600 screen printed picket signs, 1,000 posters screened, 1,000 patches screened, 30 plus banners painted, 8 parachute banners painted, and thousands of offset posters printed and disseminate to a labor movement that won a historic victory during their January 2019 strike. Photos by Joe Brusky. Blog post with three videos by Joe Brusky here.
UTLA strike. Strike-ready art for Los Angeles teachers. There is power in a union. 3-day art build: 1,600 screen printed picket signs, 1,000 posters screened, 1,000 patches screened, 30 plus banners painted, 8 parachute banners painted, and thousands of offset posters printed and disseminate to a labor movement that won a historic victory during their January 2019 strike. Photos by Joe Brusky. Blog post with three videos by Joe Brusky here.
Nisha Sethi screenprinting her image. Strike-ready art for Los Angeles teachers. There is power in a union. 3-day art build: 1,600 screen printed picket signs, 1,000 posters screened, 1,000 patches screened, 30 plus banners painted, 8 parachute banners painted, and thousands of offset posters printed and disseminate to a labor movement that won a historic victory during their January 2019 strike. Photos by Joe Brusky. Blog post with three videos by Joe Brusky here.
Fourteen 24' parachute banners painted in two-and-a-half days at the NEA Conference! The art build crew included myself, Paul Kjelland, Kim Cosier, Claudio Martinez, and Joe Brusky of the MTEA union (who took the photos of the art build.) Extensive blog post on Justseeds can be found here.
Fourteen 24' parachute banners painted in two-and-a-half days at the NEA Conference! The art build crew included myself, Paul Kjelland, Kim Cosier, Claudio Martinez, and Joe Brusky of the MTEA union (who took the photos of the art build.) Extensive blog post on Justseeds can be found here.
May Day photos by Joe Brusky
May Day photos by Joe Brusky
May Day photos by Joe Brusky
Photo by Joe Brusky. Banner design by Nicolas Lampert / logo design by March for Our Lives.
Photo by Joe Brusky. Banner design by Kim Cosier.
May Day photos by Joe Brusky
Photo by Nicolas Lampert
Photo by Joe Brusky. "Enough" image was designed by Bay View High School art teacher Bryce Coppersmith and his students: Piera Alcala, Sebastian Wurm, and Kenly Siguenza. "Protect Students, Not Guns" designed by Pete Railand. The art build was sponsored by the MTEA teachers union. 1000 copies of each poster were printed and 10 banners were painted. The posters were distributed by MTEA at the start of the March for Our Lives demo in Milwaukee on March 24th. We also painted three banners for 50 Miles More march organized by high school students where students march from March 25-March 28th from Madison to Janesville, WI to speak out against Ryan's lack of action on gun control.
Photo by Joe Brusky
Photo by Joe Brusky. "Enough" image was designed by Bay View High School art teacher Bryce Coppersmith and his students: Piera Alcala, Sebastian Wurm, and Kenly Siguenza. "Protect Students, Not Guns" designed by Pete Railand. The art build was sponsored by the MTEA teachers union. 1000 copies of each poster were printed and 10 banners were painted. The posters were distributed by MTEA at the start of the March for Our Lives demo in Milwaukee on March 24th. We also painted three banners for 50 Miles More march organized by high school students where students march from March 25-March 28th from Madison to Janesville, WI to speak out against Ryan's lack of action on gun control.
Photo by Joe Brusky
Photo by Joe Brusky
Photo by Joe Brusky and a video of the art build by Joe Brusky.
Photo by Joe Brusky and a video of the art build by Joe Brusky.
Photo by Joe Brusky and a video of the art build by Joe Brusky.
Photo by Joe Brusky. Parachute design by Nicolas Lampert/Woodcut image by Raoul Deal. Video of the art build by Joe Brusky.
Photo by Joe Brusky. Butterfly image by Favianna Rodriguez. Video of the art build by Joe Brusky.
Photo by Joe Brusky. Painting the 100 yard banner designed by Claudio Martinez. Video of the art build by Joe Brusky.
Three day art build held at the headquarters of the Minneapolis Federation of Teachers in Northeast Minneapolis and and organized by two locals (Minneapolis 59 and Saint Paul 28.) Full recap of the art build and art in action here.
Three day art build held at the headquarters of the Minneapolis Federation of Teachers in Northeast Minneapolis and and organized by two locals (Minneapolis 59 and Saint Paul 28.) Full recap of the art build and art in action here.
Three day art build held at the headquarters of the Minneapolis Federation of Teachers in Northeast Minneapolis and and organized by two locals (Minneapolis 59 and Saint Paul 28.) Full recap of the art build and art in action here.
Action to demand that the mayor reverses the decision to allow Milwaukee Police offices to act as ICE agents. Voces organizing forced Mayor Barrett to reverse his decision. Photos by Joe Brusky.
Three day art build held at the headquarters of the Minneapolis Federation of Teachers in Northeast Minneapolis and and organized by two locals (Minneapolis 59 and Saint Paul 28.) Full recap of the art build and art in action here.
Demo to stop 287g in Milwaukee that would empower police offices to act as ICE agents in Milwaukee. Measure was stopped in Milwaukee. Photos by Joe Brusky.
Demo to stop 287g in Milwaukee that would empower police offices to act as ICE agents in Milwaukee. Measure was stopped in Milwaukee. Photos by Joe Brusky.
Action to demand that the mayor reverses the decision to allow Milwaukee Police offices to act as ICE agents. Voces organizing forced Mayor Barrett to reverse his decision. Photos by Joe Brusky.
Art by Dylan Miner, Pete Railand, Nicolas Lampert, Sue Siminsky Bietila, and Ian Kerstetter. Hi res versions of the images on Justseeds.org.
Action to demand that the mayor reverses the decision to allow Milwaukee Police offices to act as ICE agents. Voces organizing forced Mayor Barrett to reverse his decision. Photos by Joe Brusky.
Photo by Joe Brusky
Photo by Joe Brusky
Photo by Joe Brusky
Video from the PCM. And a video from The Guardian. Paul Kjelland and I helped to paint a 24 ft wide "No Back Forty Mine" for the Menominee Nation-led movement against the proposed mine on the MI/WI border. The image was designed by Dylan AT Miner.Top photo is a Justseeds mini-gathering in DC: Paul Kjelland, Chip Thomas, and myself.
Photo by Gregg Smith
Photos by Joe Brusky. Banner by Claudio Martinez. Banner painting organized by Voces de los Artistas. More photos on a Justseeds blog on the art build for the parachute banners here.
Video from the PCM. And a video from The Guardian. Paul Kjelland and I helped to paint a 24 ft wide "No Back Forty Mine" for the Menominee Nation-led movement against the proposed mine on the MI/WI border. The image was designed by Dylan AT Miner.Top photo is a Justseeds mini-gathering in DC: Paul Kjelland, Chip Thomas, and myself.
Paul Kjelland and I helped to paint a 24 ft wide "No Back Forty Mine" for the Menominee Nation-led movement against the proposed mine on the MI/WI border. The image was designed by Dylan AT Miner. Justseeds blog on the art build for the parachute banners.
Photos by Joe Brusky. Banner by Jeanette Arellano. Banner painting organized by Voces de los Artistas. More photos on a Justseeds blog on the art build for the parachute banners here.
Justseeds post on the May Day Art Build / Parachute Banners. Photo by Susan Ruggles.
Photos by Joe Brusky. Banners by Raoul Deal. Banner painting organized by Voces de los Artistas. More photos on a Justseeds blog on the art build for the parachute banners here.
Justseeds post on the May Day Art Build / Parachute Banners.
Justseeds post on the May Day Art Build / Parachute Banners.
Justseeds post on the May Day Art Build / Parachute Banners.
Justseeds post on the May Day Art Build / Parachute Banners.
Photo by Joe Brusky
Photo by Joe Brusky
Photo by Joe Brusky
Photo by Joe Brusky
Link to Justseeds post on the art build for Public Education.
Photo by Joe Brusky
Photo by Joe Brusky
Photo by Joe Brusky. Link to Justseeds post on the art build for Public Education.
Photo by Joe Brusky
Photo by Joe Brusky. Link to Justseeds post on the art build for Public Education.
Photo by Barbara Miner
photo by Nicolas Lampert.
Photo by Nicolas Lampert. Art Tent at the Oceti Sakowin camp.
Photo by Nicolas Lampert. Art Tent at the Oceti Sakowin camp.
Photo by Nicolas Lampert. Art Tent at the Oceti Sakowin camp.
Link to Justseeds post on the art build for Public Education.
Photo by Susan Ruggles
Photo by Sue Simensky Bietila. Blog post recap here.
Art Build organized by David Solnit, Susan Simensky Bietila, and myself. Recap on the Art Build here.
Photo by Joe Brusky
Photo by Joe Brusky
Art Build organized by David Solnit, Susan Simensky Bietila, and myself. Recap on the Art Build here.
Art Build organized by David Solnit, Susan Simensky Bietila, and myself. Recap on the Art Build here.
Butterfly graphic: Favianna Rodriguez / graphic design for the poster: Nicolas Lampert
photo by Joe Brusky
Photo by Joe Brusky
Photo by Mona Caron. Time lapse of the banner painting by Josiah Werning here:
Navajo Nation, image by Chip Thomas, Justseeds post on the 30 city wheatpasting campaign.
Milwaukee, image by Favianna Rodriguez. Justseeds post on the 30 city wheatpasting campaign.
Richmond, VA, image by Favianna Rodriguez, Josh Macphee, Justseeds post on the 30 city wheatpasting campaign.
series of 11x17 offset posters, images by Crystal Clarity, Favianna Rodriguez, Nicolas Lampert, Josh MacPhee, Chris Stain, Colin Matthes
Milwaukee, canoe promo team. Justseeds post on the 30 city wheatpasting campaign.
mud stencil image design by Raoul Deal. http://justseeds.org/blog/2014/05/mud_stencils_and_banners_at_th.html
mud stencil image design by Raoul Deal. http://justseeds.org/blog/2014/05/mud_stencils_and_banners_at_th.html
Print by Colin Matthes. Photo by Nicolas Lampert
Badger eating rat image: Nicolas Lampert / Union Made, Occupied for Labor: Colin Matthes. http://archive.printeresting.org/2011/03/04/printing-for-a-cause/
Photo by Nicolas Lampert
Stencil image by Chris Stain. Justseeds blog post on the street art action.
Stencil image by Jesse Graves. http://www.justseeds.org/blog/2009/10/madison_books_to_prisoners_mud.html
(note: to learn more about mud stencils and the OMS "The Original Mud Stenciler", please view http://mudstencils.com
Stencil image by Nicolas Lampert. http://www.justseeds.org/blog/2009/10/madison_books_to_prisoners_mud.html(note: to learn more about mud stencils and the OMS "The Original Mud Stenciler", please view http://mudstencils.com
Stencil image by Jesse Graves. http://www.justseeds.org/blog/2009/10/madison_books_to_prisoners_mud.html(note: to learn more about mud stencils and the OMS "The Original Mud Stenciler", please view http://mudstencils.com
Project organized by TYT, Lauri Jo Reynolds, Nicolas Lampert, and Jesse Graves / mud stencil workshop/technique by Jesse Graves. Stencil image design by Matthias Regan. Justseeds post on the art action.
Project organized by TYT, Lauri Jo Reynolds, Nicolas Lampert, and Jesse Graves / mud stencil workshop/technique by Jesse Graves. Stencil image design by Matthias Regan. Justseeds blog on the art action.
Project organized by TYT, Lauri Jo Reynolds, Nicolas Lampert, and Jesse Graves / mud stencil workshop/technique by Jesse Graves. Stencil image design by Matthias Regan. Justseeds blog post on the art action.
Project organized by RAN and Nicolas Lampert / sign design by Nicolas Lampert. Justseeds blog post here.
Project organized by RAN and Nicolas Lampert / sign design by Nicolas Lampert. Justseeds blog post here.
http://www.justseeds.org/
Aaron Hughes, Alec Dunn, Andrea Narno, Bec Young, Chip Thomas, Chris Stain, Christeen Francis, Colin Matthes, Dylan A.T. Miner, Eric Garcia, Erik Ruin, Favianna Rodriguez, Fernando Marti, Jesse Purcell, Jessica Sabogal, Jess X. Snow, Jesus Barraza, Josh MacPhee, Kevin Caplicki, Kevin Yuen Kit Lo, Joy, Kristine Virsis, Lesly Yobany Mendoza, Mary Tremonte, Mazatl, Melanie Cervantes, Meredith Stern, Molly Fair, Monica Trinidad, Nicolas Lampert, Nicole Marroquin, Paul Kjelland, Pete Railand, Roger Peet, Saiyare Refaei, Sanya Hyland, Sarah Farahat, Shaun Slifer, Thea Gahr, William Estrada, Zola
Justseeds Artists’ Cooperative is a decentralized network of 40-plus artists committed to making print and design work that reflects a radical social, environmental, and political stance. With members working from the U.S., Canada, and Mexico, Justseeds operates both as a unified collaboration of similarly minded printmakers and as a loose collection of creative individuals with unique viewpoints and working methods. We believe in the transformative power of personal expression in concert with collective action. To this end, we produce collective portfolios, contribute graphics to grassroots struggles for justice, work collaboratively both in- and outside the co-op, build large sculptural installations in galleries, and wheatpaste on the streets – all while offering each other daily support as allies and friends.
ReciproCity: 2012-2018
Mike Carriere, Fidel Verdin, Paul Kjelland, Nicolas Lampert
ReciproCITY is a mobile cultural center run by two artists and one historian that focuses on community activism, social justice, and urban agricultural issues in Milwaukee and beyond. It was launched in early 2012 as an experimental cultural space located inside the Sweet Water urban aquaponic farm in Milwaukee as a means of fostering collaboration between urban farmers, artists, activists, and the greater community. After Sweet Water closed in June of 2013, ReciproCITY went mobile and now works on a number of projects and partnerships with community groups and organizations. In short we team up with community activists and community groups and collaborate on projects where art, creative resistance and problem solving will aid a community movement already in process.
R*dskins re-design / Nicolas Lampert / June 2014
The blatantly offensive Washington R*dskins name is going to be history sooner rather than later. (EDIT: THE NAME WAS FINALY DROPPED IN JULY 2020) The question is what will replace it? Will it be safe and sanitized? The Warriors? Hogs? Pigskins? Or is there an opportunity for something much more interesting? Could a name and uniform design be more challenging and act as teaching tools, where social justice could be at the forefront of the concept? I gave myself the design challenge of coming up with eight different team names and designing corresponding helmets over a two-week span. I also wrote up pros and cons for each option.
Washington Sovereignty
Team Name/Helmet Concept: Brings attention to Native sovereignty rights.
Helmet Design: Turtle Island graphic on both sides. Two Row wampum belt as the center stripe.
Pros: Name and imagery would act as a teaching tool. Turtle Island is the Haudenosaunee (Iroquois) name and oral history for how the North American continent was formed – on the back of a giant turtle. The Two Row Belt is a wampum belt that the Mohawk first gave to the Dutch in 1613 (and later to the English, French, and Americans) that represents the separate and equal coexistence of Native and non-Native peoples, two distinct people sharing the same continent. It’s a treaty that the Haudenosaunee view as permanent.
Cons: Reduces Native peoples, cultures, and history to a mascot despite the name attempting to be respectful. Sovereignty might be confused with the Revolutionary War and U.S. sovereignty from the British. Imagery focuses too much on the Haudenosaunee.
Probability of Name (0-10): 0.1
Team Name/Helmet Concept: Brings attention to the 1970s Red Power movement, specifically the takeovers of Alcatraz Island, the Bureau of Indian Affairs (BIA) building in Washington D.C., and the 71-day occupation of Wounded Knee.
Helmet Design: AIM (American Indian Movement) symbol on both sides. BIA sticker on the back (representing the AIM takeover of the BIA building that took place at the culmination of the Trail of Broken Treaties).
Pros: Invitation for the public to learn more about the Red Power Movement. New name would be the complete antithesis of the R*dskins name. Minimal design used to its advantage, simple and to the point.
Cons: Same as the Sovereignty name/helmet. Don’t use Native names or imagery for sports teams. Reduces Native peoples, cultures, and history to a mascot (worse, it reduces a movement to a mascot). Oversimplifies the complexities of the Red Power Movement. Logo could be misunderstood. Could be seen by some as a caricature, similar to the hyper-offensive imagery employed by the Cleveland Indians’ Chief Wahoo.
Probability of Name (0-10): 0
Team Name/Helmet Concept: Brings attention to issues of G.I. resistance, the Winter Soldier hearings staged in Detroit by Vietnam Veterans Against the War (VVAW) in 1971 and the Winter Soldier hearings held in Maryland by Iraq Veterans Against the War (IVAW) in 2008.
Helmet Design: Logos of each group would be on opposite sides of the helmet.
Pros: The NFL loves celebrating the armed services yet rarely does it extend beyond hyper-patriotism and blind support. The Winter Soldiers name would promote a more in-depth discussion about issues of war and peace. Name would promote more discussion about VVAW, IVAW, and the issues facing veterans today, including PTSD, traumatic brain injury, and military sexual assault.
Cons: Winter Soldiers name would be grossly misunderstood and turned into hyper patriotism and blind support.
Probability (0-10): 0
Team Name/Helmet Concept: Brings attention to the Bonus Army, the 43,000-plus WWI vets who marched from across the country to Washington D.C. in 1932 to camp out in front of the U.S. Capitol and demand a cash-payment redemption of their service certificates. The standoff ended when President Hoover ordered Army Chief of Staff General Douglas MacArthur to clear the veterans' campsite by force, with infantry troops and six tanks. The lasting image of the event was that of the military using force against its own veterans and a “Hooverville” set up in front of the Capitol during the Great Depression.
Pros: Informs the public about a largely forgotten history in Washington D.C.
Cons: The helmet design stinks. It makes the past seem boring.
Probability (0-10): 0
Team Name/Helmet Concept: Obvious critique of the use of predator drones.
Helmet Design: A predator drone and a target on both sides. Similar to some college helmets, specific players would get “drone” stickers along the back for exceptional play.
Pros: Very few except the possibility of the team being nicknamed “The Strike,” which would inadvertently reference labor.
Cons: Many.
Probability (0-10): 0.1
Team Name/Helmet Concept: Duh. Celebrates one of the all-time great hardcore punk bands to ever come out of the D.C. scene, Bad Brains.
Helmet Design: The lightning bolt logo from the band’s debut album. “Banned in D.C.” across the back.
Pros: Where to start? This name and the helmet alone would make the world forget that the R*dskins name ever existed. It would transform football. Game day experiences would be unbelievable. Hardcore music pumped in-between every change of downs. When the adrenaline had hit the max, the players and the audience would be hit by reggae! In short, it would be just like a Bad Brains concert. Players and fans would not know what to do: Extreme aggression followed by momentary breaks of chill time. Reefer everywhere. The crowd would chant “I Against I.” Pro sports would never be the same. Plus, who wouldn’t want to see a helmet design of a lightning bolt hitting the Capitol and the words “Banned in D.C.” on the back? The name, Bad Brains, could also be astute commentary about the politicians on Capitol Hill.
Cons: Punks will cry sell-out. Bad Brains have probably already copyrighted the logo. Some might associate the name with concussions, which might not necessarily be a bad thing.
Probability (0-10): 0.2
Team Name/Helmet Concept: Brings attention to just how insanely dangerous playing football is.
Helmet Design: A brain on both sides. On the back, a brain with “4,800+”, representing the number of former players who have joined a class action suit against the NFL and the helmet manufacturers for dementia and other serious health problems, mostly related to concussions.
Pros: Would players hit each other so hard if this was the helmet design and the team name?
Cons: The death knell to the game. The question is can new rules or new helmet designs protect players from head injuries? Medical research suggests that it can’t. Players, particularly offensive and defensive lineman, are hit so often that the danger is no longer just the major concussions that a player suffers, it is also the culmination of multiple smaller hits to the head that are so dangerous.
Probability (0-10): 0
Team Name/Helmet Concept: Celebrates the March on Washington in 1963 when Dr. Martin Luther King, Jr. delivered his famous “I Have a Dream” speech. Celebrates the Civil Rights Movement. Celebrates all the demonstrations and marches that have ever taken place in D.C. throughout the decades/centuries. Celebrates a country where free speech and the right to assembly and protest the government is built into the fabric of the Constitution – a right that should be defended rigorously.
Helmet Design: A ghost image of the 1963 March on Washington.
Pros: Everything. The name and the helmet are a thing of beauty. I started this design project as a means to critique both the R*dskins name and the sanitized world of professional sports and corporate culture, and somehow landed on a gem that might actually make sense. A name and helmet that would right a wrong and be embraced by many, not just in D.C., but around the country. So, what do you say, Daniel Snyder? It might just cast the image of your team in a positive light.
Cons: None. Not a single one.
team names/helmet designs by Nicolas Lampert, June 2014. First posted here: http://www.justseeds.org/blog/2014/06/a_new_team_name_and_helmet_des.html
Nicolas Lampert, 2016. available via Booklyn.
Publication Date: January 2016
Artwork type: Editioned book
Medium: monoprint, photo
Dimensions: 9.5 in W x 7.0 in H x 0.75 in D
Binding Type: accordion
Edition Size: 15
Price: USD 800.00 available through Booklyn
Contributors
Nicolas Lampert (artist)
Milwaukee, WI USA
Project assistance: Aspen Mitchell
Description
On July 29, 2015 thirteen Greenpeace activists suspended themselves from the St. Johns Bridge in Portland, Oregon - preventing a Royal Dutch Shell icebreaker ship - The Fennica - from leaving Portland for Arctic Waters. Gathered on the banks of the Willamette River in Cathedral Park were hundereds of supporters - including Nicolas Lampert taking photos from dusk to nightfall. In the water were "kyactivists" - representing the community and local environmental groups, including Portland Rising Tide and 350.org Portland. After preventing The Fennica from passing through for thirty-nine hours, the police removed a number of the climbers, allowing the ship to sail west to Astoria and then north to the Arctic.
Disappointment to The Fennica passing through the "blockadia" was tempered when two months later, in September, Shell Oil announced that it had abandoned plans for the season to drill in the Arctic, citing widespread public opposition, dangerous conditions, and smaller oil and gas reserves than expected. On a larger scale, the Portland action represented one action out of many in the global climate justice movement and the call to shift the energy sector to 100% renewables.
Greetings from Portland is a handmade book consisting of sixteen unique images of the action, each a citrus solve transfer of an original photo or digital print that references the look of postcards.
Institutional Collectors
Reed College
University of Wisconsin-Milwaukee, Special Collections
Wesleyan University, Olin Library
Bucknell University
University of Michigan, Special Collections
University of Pittsburgh
University of Southern California (USC)
Related Fairs
New York Art Book Fair 2016 (NYABF 16)
Los Angeles Art Book Fair 2017 (LAABF 2017)
Codex International Book Art Fair 2017
2022
Edition Size: 8
Media: Collage, Screenprint
Format: Artist Book
Dimensions: 23 × 17 × 1 in
Pages: 18
Collection: Collection Development, Unique Books
Related: intersectionality, portraits, screenprint, social justice
$ 3,800.00
Collections: Emory University, Trinity College, University of Central Florida (UCF), University of Puget Sound
Intersectional Wall is a collaboration between artist and Booklyn curator Marshall Weber and artist/educator/Artbuild Worker, Nicolas Lampert. Weber collaged a decade’s worth of Lampert’s screenprints into a giant accordion fold book with the intention of illustrating the structural relationships (AKA intersectionality) between various social justice movements and issues. The book is 23 inches x 12 feet when fully extended.
This source of the prints is the large box set Nicholas Lampert: A Decade of Activist Art Portfolio 2008 – 2018. This boxset contains 38 items of art that were created for, during, and in collaboration with many of the key social justice movements in the United States from 2008-2018, including the NO DAPL movement at Standing Rock, the Wisconsin Uprising (2011), immigrant rights movements, climate justice movements, the student-led movement for gun control, G.I. resistance (Iraq Veterans Against the War), labor movements, teachers strikes and more.
Intersectional Wall is a collaboration between artist and Booklyn curator Marshall Weber and artist/educator/Artbuild Worker, Nicolas Lampert. Weber collaged a decade’s worth of Lampert’s screenprints into a giant accordion fold book with the intention of illustrating the structural relationships (AKA intersectionality) between various social justice movements and issues. The book is 23 inches x 12 feet when fully extended.
This source of the prints is the large box set Nicholas Lampert: A Decade of Activist Art Portfolio 2008 – 2018. This boxset contains 38 items of art that were created for, during, and in collaboration with many of the key social justice movements in the United States from 2008-2018, including the NO DAPL movement at Standing Rock, the Wisconsin Uprising (2011), immigrant rights movements, climate justice movements, the student-led movement for gun control, G.I. resistance (Iraq Veterans Against the War), labor movements, teachers strikes and more.
Intersectional Wall is a collaboration between artist and Booklyn curator Marshall Weber and artist/educator/Artbuild Worker, Nicolas Lampert. Weber collaged a decade’s worth of Lampert’s screenprints into a giant accordion fold book with the intention of illustrating the structural relationships (AKA intersectionality) between various social justice movements and issues. The book is 23 inches x 12 feet when fully extended.
This source of the prints is the large box set Nicholas Lampert: A Decade of Activist Art Portfolio 2008 – 2018. This boxset contains 38 items of art that were created for, during, and in collaboration with many of the key social justice movements in the United States from 2008-2018, including the NO DAPL movement at Standing Rock, the Wisconsin Uprising (2011), immigrant rights movements, climate justice movements, the student-led movement for gun control, G.I. resistance (Iraq Veterans Against the War), labor movements, teachers strikes and more.
